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NEW! Fall 2010 School of the Arts Schedule
(September 1–December 31, 2010)
Registration Begins NOW!
Call 858.454.5872 to enroll.
You may also mail in or drop off your registration form in person.
Click here to download the registration form
If you are having trouble downloading the forms or receive the error message,
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Letter from the School of the Arts Director:
Welcome to the 2010 Fall Session at the Athenaeum’s School of the Arts!
Fall is a time of excitement in art and culture, with new art exhibitions, new classes and new teachers. Neil Shigley, winner of the Athenaeum’s 2009 juried show, joins the School of the Arts faculty with a drawing class at the Park Blvd. Studio. We are also happy to present an Encaustic Workshop, a very challenging and demanding technique with Amber George. For those who prefer to mix painting with pleasure, we present a new Happy Hour still-life workshop on Friday afternoons, where you get to eat and drink your sumptuous still life after (and while) painting it! From ten-week classes to one-day workshops for beginners to advanced students, we hope you will find something that brings out your creativity!
We look forward to seeing you at the School of the Arts!
~Cornelia Feye
School of the Arts and Arts Education Director
Athenaeum’s School of the Arts Teachers’ Exhibit at the Girard Gourmet
See the impressive work of two talented art teachers of the Athenaeum’s School of the Arts at Girard Gourmet in La Jolla. Enjoy a cup of coffee, soup and sandwich and see the Chinese calligraphy and watercolors of these accomplished artists-teachers. Coming up in August, and lasting through to the middle of September, Chinese Brush painting and calligraphy artist Jean Shen exhibits her exquisite work. She is followed by Thia Nevius, who shows her watercolors from mid-September through December. Girard Gourmet is located at 7838 Girard Avenue, just up the street from the Athenaeum, and is open Monday through Saturday, from 7 AM to 8 PM, and on Sundays from 7 AM to 7 PM.
Student and Faculty Exhibitions:
See what our creative students have accomplished this year! The Athenaeum student exhibition 2010 will be open from December 10 through 19 daily between 10 AM and 4 PM. Join us for the opening reception on Friday, December 10, 6:30–8:30 PM, at the Park Blvd. Studio. Students can submit up to two paintings completed during 2010 if they have taken more than one class at the Athenaeum Students can drop off their paintings on Tuesday, December 7, between 10 AM and 4 PM at the Park Blvd Studio.
The talented Art School Faculty will have an opportunity to show and sell their work during our Athenaeum Faculty Exhibition on Saturday and Sunday, January 8 and 9, 2011. The opening reception will be on Friday, January 7, from 6:30 to 8:30 PM, and everybody is welcome!
Athenaeum's School of the Arts student exhibition at Park Blvd. Studio
Financial Support is provided in part by the City of San Diego
Commission for Arts and Culture.
1. Botanical Illustrations Sorry, this class is full!
Irina Gronborg
“The greatest botanical illustrators have been those who have found beauty in truth.”—Anonymous
Observe the beauty of nature by drawing directly from living plants and flowers. We will observe and carefully draw complex and elegant contours, and pay attention to significant botanical structures. The course will begin with studies of flower structure in line drawings. We will develop a traditional botanical illustration and continue with a full color rendering. Classes will include demonstrations, discussions and examples of botanical art. Irina will share her adventures as an illustrator of rare species and will provide each student with one of her illustrated books that follows the course of study for this class. Students of all levels are welcome, and each will receive individual attention and appropriate exercises.
Mondays, 9 AM–12 NOON
Sept. 20–Nov. 8 (8 weeks)
La Jolla Studio
$190/215 + $5 mat. fee
Materials: Bring to the first class: graphite pencil, 2B; pencil sharpener; spiral-bound pad of drawing paper or sketch paper, 11” x 14”; kneaded eraser; plastic eraser; Sanford Prismacolor pencils, set of 48, sharpened.
2. Playing with Pen & Ink
Lori Mitchell
In this class we will have the freedom to explore all the different possibilities of pen & ink. We will take a look at the work of the masters as well as contemporary artists.
There’s no pressure to produce a finished “masterpiece”; just have fun with the process, and who knows, that masterpiece might just sneak up on you anyhow. We will explore texture, line, shape and negative space. We will be using dip pens, ballpoint pens and an assortment of ink pens. All levels, from beginning to advanced, are welcome.
Halloween by Lori Mitchell
Mondays, 1–4 PM
Sept. 20–Nov. 8 (8 weeks)
La Jolla Studio
$190/215
Materials: India ink in a bottle that can be dipped into; dip pens with at least three nibs that are different thicknesses (thin, medium, and thick); one black ballpoint pen; one sketchbook with no smaller that 8-1⁄2” x 11”. Feel free to bring any pens or paper you would like to try. If you have a favorite travel, animal or face photo, and it’s a nice big, clear shot, bring it along. If not, there will be photos supplied. If you have a favorite pen & ink artist, bring in a sample of their work.
3. Figure Painting with Different Strokes
Stephanie Goldman
This class adds the “NEW” concept of brushwork essentiality, which suggests ways to add a more “painterly feeling” through the use of varied brushstrokes and correct paint application. This class will consist of two separate poses, three weeks each, concentrating on the usual themes of gesture, drawing, proportions, basic anatomical landmarks, simplification of light and dark shapes, color relationships, edge control and paint manipulation. Since instruction is individual, all levels are welcome, including students using any other medium. Class size is limited. Please email me with any questions: stephanie@goldmanfineart.com.
by Stephanie Goldman
Tuesdays, 9:30 AM–12:30 PM
Oct. 5–Nov. 9 (6 weeks)
12 students max.
La Jolla Studio
$190/215 (includes model)
Materials: Bring your favorite materials OR chosen media from this list: wood or glass palette; canvas—cotton, linen, and/or Masonite are all acceptable—up to 16” x 20” and toned in advance with #6 acrylic paint; bristle brush, #2, #4 and #6 filbert and #2 round; medium (Liquin or stand oil/turpentine); container for odorless mineral spirits and medium; palette knife; Viva paper towels.
NEW STUDENT OIL COLORS (limited palette): Raw Umber, Burnt Sienna, Cadmium Red, Cadmium Yellow, Ultramarine Blue, Ivory Black, Titanium White. Colors are listed in the order they appear on the palette from left to right. (Please NO paper palettes!)
OIL COLORS (full palette): Raw Umber, Burnt Sienna, Alizarin Crimson Permanent, Cadmium Red, Cadmium Scarlet, Perylene Red, Cadmium Orange, Raw Sienna, Indian Yellow, Cadmium Yellow, Cadmium Yellow Light, Cadmium Green Pale, Cadmium Green, Viridian, Phthalo Green, Cerulean Blue, Phthalo Turquoise, Cobalt Blue, Cerulean Blue, Ultramarine Blue, Dioxazine Purple, Quinacridone Magenta, Titanium White. Colors are listed in the order they appear on the palette from left to right. Unless otherwise noted, the following brands are recommended: Winsor & Newton, Gamblin, and Old Holland.
PASTELS: Rembrandt 150 or 225 set, NuPastel set of 76 or any pastel sets you have; vine charcoal sticks; charcoal pencil (medium and soft); single-edge razor blade; kneaded eraser; toned pastel paper (Canson moonstone, Sennelier La Carte, or other toned paper); drawing board (3/16” foam core board cut one inch larger than paper); clips; stiff bristle brush; chamois.
CHARCOAL DRAWING: soft, medium or hard vine charcoal; soft, medium and hard charcoal pencils; white chalk (NuPastel 211-P NITRAM, HB 0066 is recommended) or white charcoal pencil; brass chalk holder; 18” x 24” pad of rough newsprint; Canson Mi-Tientes drawing paper in a neutral grey color; drawing board and clips; single-edge razor blade; kneaded eraser; charcoal blending stump; chamois cloth.
PENCIL DRAWING: Strathmore 500 charcoal paper; two-ply Bristol board with a medium or smooth finish is recommended for pencil drawings. Graphite pencils 6B, 2B, H, and 2H are recommended. Other supplies: pencil sharpener; drawing board (3/16” foam core cut one inch larger than paper); clips to attach paper to the board; kneaded rubber eraser; Viva paper towels.
BRUSHES: have one of each to practice different strokes (#2, 4 or 6): bright; flat; filbert; worn (old) brush; round; script/liner or rigger brush; fan brush; cheap house brush, 2” or 3”.
4. Dance of the Brush—Chinese Brush Painting & Calligraphy
Jean Shen
Enter the land of the ancient art of Chinese brush painting and calligraphy. Enjoy the fascinating and intriguing art form of “dancing” with the bamboo brush in your hand moving across rice paper with Chinese ink and colors. You will learn how to hold the brush in the traditional manner to paint bamboo studies with power as if you were doing martial art. From bamboo studies you will go on to paint a fish swishing its tail in the water, and pine needles on branches so sharp and vigorous. Your paintings will reflect your energy and inner rhythm. Chinese calligraphy will be introduced in the first half hour to help you master the brush. It will be a fun way to learn to speak and write some Chinese words. If you are new to art, you will not feel lost as each person will be given individual help in a step-by-step manner. It is exhilarating and fun and well worth the time invested. Returning students will continue on the journey to painting of flowers and vegetables, animals, insects, fish, landscape, people, and calligraphy, acquiring more and more “dancing” strokes and expressing their love of nature and art with increasing freedom and confidence. My goal is to help each student discover and cultivate their own unique style of doing Chinese brush painting.
Nadine Bradbury by Jean Shen
Tuesdays, 1–4 PM
Sept. 21–Oct. 26 (6 weeks)
La Jolla Studio
$160/180
Materials: Chinese art supplies for new students will be available for purchase at the first class meeting (e-mail jbrushwrk@aol.com for more details). Other necessary art supplies: two water containers, such as margarine-size plastic containers; a watercolor palette or several plastic or ceramic plates in place of a palette; a pad of newsprint, 12” x 18” or larger; a roll of toilet tissue or paper towels; a piece of inexpensive black felt material, approximately 4’ wide, to cover the table where you work (available at fabric stores).
5. Basic Watercolor Sorry, this class is full!
Carol Curtis
Learn the basics with your own paint, paper, and brush, or we’ll supply them ($45). Portable and creative, watercolor is FUN. We will identify the basics that will allow you to be successful and then fly! Ready for more? We will explore composition and color! Bring a friend or mom or sister and make this fall the one that you remember forever!
Pears by Carol Cutis
Wednesdays, 9 AM–12 NOON
Sept. 22–Nov. 10 (8 weeks)
La Jolla Studio
$190/215 + $5 mat. fee
Materials: You may either purchase your own materials, or we will purchase them for you for $45 per student. Paint (artist quality—Sennelier, Winsor & Newton, or Holbein—tubes not pans): Alizarin Crimson, Cadmium Red Light, Cadmium Orange, Cadmium Yellow Pale, Cadmium Lemon, Yellow Ochre, Raw Sienna, Burnt Sienna, Raw Umber, Burnt Umber, Viridian, Hooker’s Green, Cerulean Blue, Cobalt Blue, Ultramarine Blue, Winsor & Newton Violet. Paper: Sennelier block 12” x 12” or 8” x 8”; Arches cold-pressed, 140 lb.; Arches sketchbook; two full sheets Arches cold-pressed, 140 lb., or two full sheets Arches cold-pressed, 300 lb. Misc.: Stabilo HB pencil; kneaded eraser; metal palette that folds, with 16 to 17 wells; one old white rag (100 percent cotton); one table or floor easel. BYOB! (bring your own brush)—the best brush that you want, need or can afford—one #8 or #10 round Winsor & Newton Series 7 (Rafael) Kolinsky sable, Robert Simmons synthetic, or your favorite with a very good well and point.
6. Finding your Own Voice: Painting & Mixed Media Sorry, this class is full!
Rivian Bütikofer
“Being an artist, should be individuation and difference, finding a voice of your own.”
—
Roberta Smith, art critic, New York Times
We invite YOU to come & FIND YOUR OWN VOICE! Wouldn’t it be fun to do something really DIFFERENT & CONTEMPORARY? The sky is the limit! WHATEVER THE STUDENT CHOOSES IS JUST FINE! ART is a very personal thing, and when you do discover “a voice of your own,” you will have the means to express whatever it is that you wish. In this class you will HAVE THE FREEDOM and the tools to do whatever you want with YOUR VERY OWN ART! You will be exposed to some exciting and unusual artists working today & also some masters from the past to give you ideas and to motivate you.
We will be focusing on CONTEMPORARY ART. A WHOLE NEW WORLD of ART will open for you, giving you so many new ideas with which to experiment that it will excite and motivate you to continue. You will have the opportunity to work in a SUPPORTIVE and JOYFUL environment WITH A HIGHLY EXPERIENCED ARTIST/TEACHER to become the artist that you are capable of becoming and have always wanted to be! A comprehensive packet prepared for this class will provide helpful information pertaining to the masters we will study (along with interesting information on their lives and their contemporaries), such points as the benefits of opaque vs. transparent paint, which whites to use when, suggested mediums for oils and/or acrylics, many of the new gels, etc. Demonstrations will include various techniques such as under painting, glazing, texturing, and photo transfer. Most of all, it will be FUN! Instruction is highly individualized. Review of the basic elements and principles of art is always included.
by Rivian Bütikofer
Wednesdays, 12:30–4:30 PM (4 hours!)
Sept. 15–Nov. 17 (10 weeks)
Limited to 15 students!
La Jolla Studio
$260/310 (incl. model on one day) + $10 mat. fee
Materials: DAY ONE: Please bring a few copies of photos (made at Staples or Kinko’s, for example), scissors, glue, thin black felt-tip marker, pencils, Strathmore Acrylic pad, 12”x18”, (or comparable sketch pad) and/or cardboard, purchased or found from a box or whatever. Some items for texture would be helpful, whatever you can find. Oil pastels, preferably water soluble, Portfolio brand if possible, can usually be found at Staples. They will also be available for purchase at the first class meeting. Please e-mail the instructor if you would like to take advantage of this. A MATERIALS LIST WILL BE SENT TO YOU AT REGISTRATION. Any questions: please e-mail instructor: 4choux@sbcglobal.net or rivianbutikofer.com. SUPPLEMENTAL MATERIALS LIST GIVEN OUT FIRST CLASS. Sign up early for this class—it will fill up!
7. Painting alla Prima: Get Loose! Sorry, this class is full!
Catherine Grawin
Painting alla Prima is an exciting wet-in-wet oil painting technique that is rapid and painterly. Loose, colorful and impressionistic brushwork defines the style, and it is popular among painters and collectors. This class is geared for beginning and continuing students. It revisits classic painting methods while breaking out into bold and loose brushwork that is open to individual creativity and interpretation. Come with an open mind and relaxed attitude to transcend some old ideas and habits about representational painting. The instructor will supply images and still life for subject matter and demonstrate step-by-step, while students follow along to create finished alla prima paintings from start to finish. Students can also opt to bring in their own subject images.
Lily Pond by Catherine Grawin
Thursdays, 9 AM–1 PM (4 hours!)
Sept. 23–Nov. 18 (9 weeks)
Limited to 12 students!
La Jolla Studio
$260/310 + $10 mat. fee
Materials: Colors for the class palette. Student grade is fine. Match the colors the best you can—brands vary. Dick Blick’s store—or online for a good discount (5 days delivery).
Titanium White, Cadmium Red Light, Ultramarine Blue, Cadmium Yellow Pale, Red Rose Deep, Viridian Green, Cadmium Yellow Orange, Cerulean Blue.
BRUSHES (oil/acrylic): natural bristle hog hair. Brushes are a good investment. Buy as many and the best you can afford. I like Robert Simmons. Or bring used brushes in very good shape.
RECOMMENDED: flats #2, #4, #6, #8, #10, one or two each; filberts #2, #4, #6, #8, #10, one each; rounds #2, #4, one each.
PALETTE: white is best. Wood or disposable paper palette (around 12” x 16”).
CANVAS SIZES: Bring at least 2–3 canvases to every class. Cheap canvas boards for exercises: 11” x 14” for painting projects; 11” x 14” up to 16” x 20”. Odorless Turpenoid or similar: enough for two paintings a day and clean up; refined linseed oil.
TWO CUPS: A cup for turpentine and a cup for linseed oil. I like the jars with a coil at bottom for cleaning brushes.
CHARCOAL: one box of vines extra-soft. Palette knife, medium-size. Small drawing pad and sharp graphite pencil for thumbnail sketches/notes. Paper towels. Carrier or pack.
8. Master Classes of the Bauhaus School of the Arts
Cornelia Feye
The Bauhaus School of Art and Design only operated from 1919 until 1933, when the Nazis closed it down. It had to move from Weimar and Dessau to Berlin to avoid prosecution. But its influence can still be felt all around us, from the furniture we sit in, the houses we live in, the cups we drink from and everyday objects we use. Masters of Modern art and design like Johannes Itten, Walter Gropius, Mies van der Rohe, Marcel Breuer and Oscar Schlemmer taught at the Bauhaus School. After a general overview of the history and faculty of the School, this class will recreate three master classes by Bauhaus teachers Josef Albers, Paul Klee and Wassily Kandinsky using their original curriculum.
Bauhaus exhibition poster
Thursdays, 1–4 PM
Oct. 7–28 (4 weeks)
La Jolla Studio
$130/150
9. Color & Light—Basic Drawing and Painting Sorry, this class is full!
Elizabeth Washburn
Have you had some experience mixing paint but need help with your basic drawing skills? This class is designed to help bring together the fundamentals in drawing with the expressive nature of paint. In addition to the fundamentals of drawing and painting, including line, composition, value, perspective and color mixing, you will learn how to draw using a technique called sighting. Combining your drawing with paint, we will then experiment with light and its effect on color. Emphasizing expressive color, this class will teach you the techniques of glazing, washing and direct painting. Representational and abstract subject matter will be utilized. This is an opportunity to further your knowledge of color theory and to create a color palette that is all your own and revisit or improve your drawing. All levels are welcome and there is plenty of individual attention given to each student by the instructor. Appropriate for adults and teenagers.
Habitat by Elizabeth Washburn
Thursdays, 6–9 PM
Sept. 23–Nov. 11 (8 weeks)
La Jolla Studio
$190/215
Materials:
BRUSHES: Get a variety of sizes—i.e., a liner brush, a 1/4”, 1/2” and 1” flat or filbert and bring whatever else you have. With a less expensive brush, look to see that the bristles are curving toward each other from the outside edges and that when you flick the brush in your hand it has some spring to it. A 32 oz. can Turpenoid; sketchbook; pencils; pens and/or charcoal; eraser. Oil paint: Titanium White, Cadmium Yellow, Cadmium Red Medium, Ultramarine Blue, Raw Umber, Red Oxide, Magenta and Yellow Ochre. Ten 9” x 12” and 11” x 14”canvas boards or stretched canvas; one 16” x 20” stretched canvas. Disposable paper palette (or any palette, this just makes clean up easier); cotton rags (old T-shirts, etc.); yogurt cups or jars with lids to store extra Turpenoid. Questions about materials will be answered the first meeting; however, please bring pencils, erasers, paints, palette, Turpenoid, rags, yogurt cups, canvas boards, sketchbook and brushes for the first class, because we will be painting.
10. Watercolor for Beginners Sorry, this class has been cancelled.
Carol Curtis
Learn the basics with your own paint, paper, and brush, or we’ll supply them ($45). Portable and creative, watercolor is FUN. We will identify the basics that will allow you to be successful and then fly! Ready for more? We will explore composition and color! Bring a friend or mom or sister and make this fall the one that you remember forever!
Apples by Carol Curtis
Fridays, 9:30 AM–12:30 PM
Sept. 24–Oct. 29 (6 weeks)
La Jolla Studio
$160/180 + $5 mat. fee
Materials: You may either purchase your own materials, or we will purchase them for you for $45 per student. Paint (artist quality—Sennelier, Winsor & Newton, or Holbein—tubes not pans): Alizarin Crimson, Cadmium Red Light, Cadmium Orange, Cadmium Yellow Pale, Cadmium Lemon, Yellow Ochre, Raw Sienna, Burnt Sienna, Raw Umber, Burnt Umber, Viridian, Hookers Green, Cerulean Blue, Cobalt Blue, Ultramarine Blue, Winsor & Newton Violet. Paper: Sennelier block 12” x 12” or 8” x 8”; Arches cold-pressed 140 lb.; Arches sketchbook; two full sheets Arches cold-pressed 140 lb. or two full sheets Arches cold-pressed 300 lb. Misc.: Stabilo HB pencil; kneaded eraser; metal palette that folds, with 16 to 17 wells; one old white rag (100 percent cotton); one table or floor easel. BYOB! (bring your own brush)—the best brush that you want, need, or can afford—one #8 or #10 round Winsor & Newton Series 7 (Rafael) Kolinsky sable, Robert Simmons synthetic, or your favorite with a very good well and point.
11. Painting alla Happy Hour Sorry, this class has been cancelled.
Catherine Grawin
A great way to start the weekend this fall!
Come paint an Edible Still LifeTM at the La Jolla Studio on Friday afternoons! Painters will enjoy wines and paired cheeses while painting a classic “Impressionist style” still life each week. The class format will be informal. Students can work independently and/or with instructor assistance. Each still-life design will provoke discussions on the roots and traditions of still life, the components of good painting, composition, values, vibrant color and spontaneous, impressionist brushwork. Share good cheer, commune with fellow artists and create an original still-life painting alla prima (“all at once”).
Happy Hour by Catherine Grawin
Fridays, 3–6PM
Oct. 8–Oct 29 (4 weeks)
Limited to 12 Students!
La Jolla Studio
$160/180 + $30 supply fee
Materials: Open to oil and acrylic painters. Bring art supplies of choice. Easels and taborets are provided in studio. There is no recommended supply list unless requested. Contact Catherine at adlib@roadrunner.com with any questions.
La Jolla Studio Workshops
12. Letterpress & Printmaking at Bay Park Press Sorry, this class has been cancelled.
Sibyl Rubottom
We will learn the basics of hand typesetting and the contemporary practice of letterpress. We will cover the essentials of good presswork and move on to incorporate wood type and letterpress. We will also explore the medium of linocuts from simple patterns to more complex color compositions. Linoleum is a perfect accompaniment to type. Join our Thursday evening exploration of type and image. MATERIALS WILL BE PROVIDED FOR THE MATERIALS FEE DUE AT THE FIRST CLASS MEETING.
Thursdays, 6–9 PM
Sept. 23–Oct. 28 (6 weeks)
On Location, Bay Park Press, 4138 Napier St, San Diego, CA 92110
$160/180 plus $20 mat. fee
13. Color Pencil Basics Sorry, this class is full!
Irina Gronborg
Color pencils are neat little packages of pure, waxy pigments that don’t drip, leak, require solvents, fixative or require cumbersome setups. They can be finely pointed, easily carried outside, worked with intermittently, and are pleasant to use on large paper or in the smallest sketchbook. This course offers the opportunity to learn Irina’s approach to drawing in color directly from a subject. Our goal will be to develop luminous color with the precision that drawing with a pencil makes possible. This workshop welcomes beginners and advanced students. Each student will receive a beautifully illustrated booklet designed and created by Irina specifically for this workshop.
Hippaestrum by Irina Gronborg
Sat 10 AM–4 PM (1 hour break)
Sept. 25 (1 day)
La Jolla Studio
$75/85
Materials: Graphite pencils (4B or 2B), kneaded eraser, plastic eraser, pencil sharpener, a pad of 9” x 11” or 11” x 14” drawing paper, and a 48-pencil set of sharpened Sanford Prismacolor pencils.
14. The Basics of Oil Pastel and Its Friends
Susan Osborn
Discover the vibrant, inherent beauty and versatile techniques of oil pastels. This two-day workshop includes oil pastel brands, how to use them, mixing color and drawing lessons in landscape and still life. Apply these techniques to your own drawing in subject matter of choice.
The second day, this workshop “pushes the envelope” with what you can do with oil pastel and its friends. Before making a final mixed-media drawing, we will make an oil pastel “mixed-media sampler” of fifteen different combinations, using oil pastel with ink, watercolor, soft pastel, acrylic, collage, colored pencil, rubber stamps and charcoal.
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Flame Trees by Susan Osborn
Sat–Sun, 11 AM–3 PM
Oct. 2–3 (2 days)
La Jolla Studio
$110/125
Materials: Required: Drawing Board with clips (at least 18” x 24” and can be a sheet of Masonite). Cray-Pas Expressionist oil pastels (12) $5.50; you can buy a box of 50 at Artists and Craftsman in Old Town for about $24; one or more China Markers in various colors, especially black and dark green or blue. Paper—here are three tablets; pick one of your choice: Strathmore—dry media, heavyweight, multipurpose 11” x 14” (30 sheets), $9.50; Canson Plate (smooth) Bristol pad, 11” x 14” (15), $8.50; or Canson Drawing pad, 80 lb., acid free, 14” x 17” (24), $8.00. DESIGN pencil or another 5B lead drawing pencil; Artists and Craftsman and Dick Blick offer a student discount.
15. Mosaic Masterpieces for Kids Ages 7–12
Ellen Schumacher
P-I-E-C-E-S, P-I-E-C-E-S, HAVE LOADS OF FUN MAKING MASTER P-I-E-C-E-S!
Create a picture or tell a story by making tiles into mosaic designs. How do you do that? Let Ellen show you. You will learn how to make mosaic arts in all kinds of shapes—squares, and triangles, stars and moons. Then you will glue, glue, glue and grout, grout, grout (a new word!) all the little pieces into MASTERPIECES! You’ll learn how to make colorful mosaic designs, mirrors or drink coasters, flowerpots or vases, and even a flat wall piece to hang in your room. This class will be a lot of fun, so sign up early.
Palm tree by student artist
Sat–Sun, 10 AM–3 PM
Oct. 9–10 (2 days)
La Jolla Studio
$110/130 + $20 mat. fee
16. Mixed Media for Kids, Ages 6–11 + Parents Sorry, this class has been cancelled.
Christina Snell
Did you know that art increases a child’s creative thinking and problem-solving ability, while also building their self-esteem? In a supportive atmosphere, students and one parent or adult will learn together about the elements of art, the principles of design and the work of master artists. During this fun-filled weekend, kids and adults will both create a sculpture, a paper weaving and other masterpieces!
Mask by student artist
Sat–Sun, 10 AM–3 PM
Oct. 16–17 (2 days)
La Jolla Studio
$190/215 for 1 Child + 1 Adult + $20 mat. fee
17. Organic Abstraction Workshop
Stephen Curry
With an emphasis in Modernist and contemporary trends in abstract painting, this workshop will explore concepts of pictorial space, Formalism, color relationship, visual perception and the use of negative space within the picture plane. You can work in either oil or acrylic paint. Some painting experience is recommended. You may choose to work from sketches, small studies or photographic material of you own; from your imagination; or from subject matter supplied in the class. Students are encouraged to work large format. The class will include discussions about relevant artists and art history, one-on-one instruction and evaluation, and a class critique.
Negative Contructs by Stephen Curry
Sat–Sun, 10 AM–4 PM
Oct. 23–24 (2 days)
La Jolla Studio
$110/130
Materials: Bring a selection of oil or acrylic paints, brushes and a palette. A large canvas, around 30” x 40”; pencils; erasers; rags; a roll of paper towels; containers for solvent or water; odorless mineral spirits and liquid paint medium for oil painters. Liquitex Slo-dry blending medium for acrylic painters. For a more complete list contact the Athenaeum School of the Arts.
18. Fall Flower Painting in the Round
Stephanie Goldman
This one day painting extravaganza will be an intimate, unique opportunity to capture the colors of fall flowers on your canvas. In this workshop you will paint a beautiful fall flower arrangement placed in the middle of the studio with easels set up around it. Instruction will be individual, so all levels and mediums are welcome.
Flowers by Stephanie Goldman
Sat. 9:30 AM–4:30 PM (1 hour break)
Nov. 6 (1 day)
12 Students max.
La Jolla Studio
$85/100 + $5 mat. fee
Materials: Bring your favorite materials (PLEASE GAMSOL ONLY) OR chosen media from this list: wood or glass palette; canvas—cotton, linen, and/or Masonite are all acceptable—up to 24” x 24”; can be toned in advance with any color a value #5 or 6 acrylic paint.
BRUSHES: flats, filberts or rounds of various sizes, #2, #4 and #6, 2” or 3” Chinese; script; medium (Liquin or stand oil/turpentine) and container with lid. PLEASE GAMSOL ONLY; palette knife; Viva paper towels.
NEW STUDENT OIL COLORS (limited palette): Raw Umber, Burnt Sienna, Cadmium Red, Cadmium Yellow, Ultramarine Blue, Ivory Black, Titanium White. Colors are listed in the order they appear on the palette from left to right. Please NO paper palettes!)
OIL COLORS (full palette): Raw Umber, Burnt Sienna, Alizarin Crimson Permanent, Cadmium Red, Cadmium Scarlet, Perylene Red, Cadmium Orange, Raw Sienna, Indian Yellow, Cadmium Yellow, Cadmium Yellow Light, Cadmium Green Pale, Cadmium Green, Viridian, Phthalo Green, Cerulean Blue, Phthalo Turquoise, Cobalt Blue, Cerulean Blue, Ultramarine Blue, Dioxazine Purple, Quinacridone Magenta, Titanium White. Colors are listed in the order they appear on the palette from left to right. Unless otherwise noted, the following brands are recommended: Winsor & Newton, Gamblin, and Old Holland.
19. Exploring and Experiencing Color
France-Marie Haeger
Color is a world in itself. Exploring its meaning, its visual, emotional, physiological, mental impact and its expressive qualities will enrich one’s palette. Goethe and Kandinsky have written about of its mysteries. Albers has explored its unending visual possibilities. Experiencing color within us, mixing and combining encourages our daring in the use of color, enliven our work and deepen our appreciation for Master works.
by France-Marie Haeger
Sat–Sun, 10 AM–4 PM
Nov. 13-14 (2 days)
La Jolla Studio
$110/130
Materials: Basic drawing supplies, a set of colored paper or magazines for collage, glue, scissors. One to 3 pieces of textile of one solid primary color (sheets, large piece of textile, scarf, etc.) Your choice: Gouache, acrylic paint or watercolor (and their support). Colored pencils, chalk pastels, oil pastels (and their support).
20. Encaustic Workshop
Amber George
This class will introduce the ancient medium of encaustic painting to beginning and experienced artists. The basics will be covered, from how to prepare a panel for painting to how to make your own medium. Additional techniques—such as working with transfers, collage and stencils—and the 3-D possibilities of working with wax will be introduced. Also covered in the class will be tips for setting up a studio space to work with wax along with how to work safely with encaustic paint.
Encaustic work by Amber George
Wed–Sat, 10 AM–4 PM (1 hour break)
Dec. 1–4 (4 days)
Limited to 10 Students!
La Jolla Studio
$260/310 + $110 mat. fee (to be paid at registration)
Materials: The $110 materials fee (paid at registration) includes the following: all encaustic paint in a variety of colors, heated griddles, heat guns, torches, three wood boards per student for practice, and a variety of tools for experimentation.
OTHER REQUIRED MATERIALS (not included in the materials fee)*:
PAINT BRUSHES: natural bristle only, a variety of sizes. Hake brushes are good; stiff flat brushes are the most useful. Don’t get expensive brushes because you won’t be able to use them for another medium.
PAINTING SUBSTRATES: Encaustics are suitable for a variety of surfaces, which must be absorbent and unprimed. Ideal are the birch panels from Artist & Craftsman Supply. Also appropriate for substrates are boards of plain cut wood, like birch plywood. Do not plan on using any canvas products or any previously painted or primed surfaces. I will address some alternative surfaces during class, but please stick with the basic raw wood surfaces for this class. Bring a variety of sizes but stay small, 18” x 18” or under.
MARK-MAKING TOOLS: Great are dental tools, clay tools, and kitchen hand tools. Bring at least one ceramic loop tool that has a flat edge. A sharp pointed tool is also very versatile for drawing into the wax. Misc.: heavyweight watercolor paper, 300 lb. or more, or white mat board; kitchen spatula; lightweight decorative papers for collage; roll of painters tape, 1” or 1-1/2”; fresh photocopies of any image you like; scissors; X-acto knife; burnishing tool or bone folder; cotton rags for clean up, along with a roll of paper towels.
OPTIONAL BUT USEFUL: Oil paint (just bring a tube of any color you like); stencils; textured materials like textured wallpaper, cookie cutters, fabric; any encaustic materials you have on hand such as beeswax, paraffin wax, or encaustic paint. *Please order these materials at least one week prior to the first day of class. Artist & Craftsman Supply carry most of these materials.
21. Organic Non-Traditional Christmas Décor
René van Rems, AIFD
The Athenaeum’s favorite floral artist helps you get ready for Christmas in this three-hour hands-on workshop, which includes demonstration, theory and discussion.
Learn how to make your own elongated centerpiece, using nontraditional methods in traditional form. Elements such as organic moss embellished with cones, noble fir, California holly berry, candles and other fun materials will be used. René is known for using just the right mix of material that sets your holiday décor apart from the rest and the commercial traditional designs. You will use natural and organic materials that will last throughout the season, or can be added to for that special party. Some experience required. All designs become the students’ own for home use or as gifts! This class always sells out! Due to space requirements, limited to twenty students. No visitors please.
Floral design by René van Rems
Saturday, 10 AM–1 PM
Dec. 11
La Jolla Studio
$50/60 plus $130 mat. fee to be paid at registration
Materials: All materials are included. Please bring pruners and a knife, which are also for sale at the class.
San Diego/Park Blvd. Studio Classes
58. Life Drawing (Long & Short Pose) No Instruction—Pam Whidden, monitor
59. Life Drawing (Long & Short Pose) No Instruction—Pam Whidden, monitor
60. Life Drawing (Long & Short Pose) No Instruction—Pam Whidden, monitor
This Sunday class is for artists who want to draw or paint from the same life model in a short or long pose. There will be several poses and models throughout the eight weeks. A monitor will be present at each class to arrange the schedule and the model’s poses. Walk-in students are welcome. Bring preferred materials.
Life Drawing by Ken Goldman
58 Life Drawing (Long & Short Pose)
Sundays, 11 AM–3 PM (4 hours)
Sept. 12–Oct. 10 (5 weeks)
San Diego/Park Blvd. Studio
$90/110; $20/23 per class
($260/310 for 15 weeks)
59. Life Drawing (Long & Short Pose)
Sundays, 11 AM–3 PM (4 hours)
Oct. 17–Nov. 14 (5 weeks)
San Diego/Park Blvd. Studio
$90/110; $20/23 per class
($260/310 for 15 weeks)
60. Life Drawing (Long & Short Pose)
Sundays, 11 AM–3 PM (4 hours)
Nov. 21–Dec. 19 (5 weeks)
San Diego/Park Blvd. Studio
$90/110; $20/23 per class
($260/310 for 15 weeks)
61. Mixed Media with Paper & Cloth
Jane LaFazio
Jane will introduce you to new materials and techniques to create art from paper, cloth or a combination of the two. We’ll create layered, textured artworks using collage materials, paint, drawings and thread. Come prepared to learn, explore and have fun with a new project each week. Class will be inspirational, positive and fun, with lots of sharing, laughing and learning from the others in the class. All levels of experience are welcome, and previous students can expect new lessons! Questions: e-mail Jane at PlainJaneStudio@gmail.com.
Acorns and the Quail by Jane LaFazio
Mondays, 9 AM–12 NOON
Oct. 4–Nov. 15 (7 weeks)
San Diego/Park Blvd. Studio
$180/205 + $25 mat. fee
Materials: FIRST DAY: X-acto knife, scissors, sketchbook, pencil and either plain or white muslin watercolor paper (any weight). A materials list for the rest of the class will be discussed—and a $25 materials fee will be collected—at the first class meeting.
62. Painting and Drawing the Human Figure
Ken Goldman
This class follows a basic approach to painting and drawing the human figure from a life model. Students may use their favorite medium and will be encouraged to experiment with new media. In addition to newsprint or watercolor paper, toned paper may also be used to study dark and light accents in chiaroscuro treatment, in which attention will be given to the creative use of color and value. We will alternate working from both clothed and nude models. Students will have the opportunity to do several two- or three-session sustained paintings. In addition to portraiture, attention will be given to the study of hands, feet and the head.
Figure Drawing by Ken Goldman
Mondays, 1–4 PM
Oct.4–Nov. 22 (8 weeks)
San Diego/Park Blvd. Studio
$225/260 (includes model)
Materials: Pastels: softest vine charcoal; Rembrandt pastels, box of 90 or 180 pieces, or NuPastel, box of 96 pieces; Canson brand pastel paper, #429, #426, or #431; foam core drawing board cut one inch larger than your paper, with two clips to hold it.
BEGINNING WATERCOLOR: one tube each of Ultramarine Blue and Burnt Sienna watercolor for the first session, more colors if you have them (additional colors will be discussed at first meeting); large covered Woods or Pike palette; a #12 pointed and a 1” flat brush; Arches or other good quality paper (no Strathmore student-grade watercolor paper); 2B, 4B, 6B graphite pencils; kneaded eraser; 18” x 24” drawing pad; Morilla 18” x 24” acid-free or rough newsprint. Charcoal: 4B charcoal pencil; softest vine charcoal.
EVERYONE: Paper towels
63. Portraiture
Ken Goldman
Working in pencil, charcoal, watercolor, pastel, or oils, we will paint or draw a clothed portrait for two or three sessions per pose. Through this process we will study composition, the step-by-step process of facial anatomy, and expressive color use. We will also pay special attention to points of connection between model, background, and foreground; negative shapes; and overall use of the picture plane, as well as the massing, shading, and facial anatomy of the head. APPROPRIATE FOR ADULTS AND TEENS.
by Ken Goldman
Mondays, 6:30–9:30 PM
Oct. 4–Nov. 22 (8 weeks)
San Diego/Park Blvd. Studio
$225/260 (includes model)
Materials: Pastels: Rembrandt pastels, box of 90 or 180 pieces, or NuPastel, box of 96 pieces; Canson brand pastel paper, #429, #426, or #431; foam core drawing board cut one inch larger than your paper, with two clips to hold it; paper towels; masking tape.
BEGINNING WATERCOLOR: one tube each of Ultramarine Blue and Burnt Sienna watercolor for first session; more colors if you have them (additional colors will be discussed at first meeting); large covered Woods or Pike palette; a #12 pointed and a 1” flat brush; Arches or other good quality paper (no Strathmore student-grade watercolor paper).
PENCIL: 2B, 4B, or 6B graphite pencils; kneaded eraser; 18” x 24” drawing pad; Morilla 18” x 24” acid-free or rough newsprint; 3B Conté compressed charcoal; 4B and 6B General charcoal pencil; softest vine charcoal.
EVERYONE: Paper towels
64. Watermedia Translations: Painting Your Photos, Sketches and Memories in Watermedia
Elaine Harvey
Did you neglect to take your paints along on your summer vacation? It’s not too late to create a journal, folio, or series of paintings that record your treasured sights and experiences. If you have sketches or photos, even postcards and memories, this class will help you in selecting, editing and translating your vacation into watermedia. Or, if you wish, you may paint other subjects from your sketches and photos. Either way, you will receive general and individual instruction in technique, design and creative approaches. The class will also include demonstrations and critique.
by Elaine Harvey
Tuesdays, 9 AM–12 NOON
Sept. 28–Nov.2 (6 weeks)
San Diego/Park Blvd. Studio
$160/180
Materials: Bring your usual watercolor or acrylic materials to include a spectrum of colors in paint; a covered palette; soft synthetic or natural brushes in several shapes and sizes; two water containers; 140 lb., or equivalent, watercolor paper—as individual sheets or as a bound book; a backing board to support your paper; scratch paper; pencil and eraser; rags, Kleenex or toilet tissue; a spray bottle; an old bath towel; and, of course, your photos, sketches and notes. If you wish, you may also use watercolor crayons or pencils, gouache, or pen and ink to enhance your art. If in doubt, bring what you have and delay further purchases until after the first class meeting.
65. Contemporary Painting
Rivian Bütikofer
Twenty-first century painting is different from that of any other time in art history, and there are also many similarities to other periods of ART. Figurative painting has returned, and along with it there are so many diverse styles of ART. In this period in ART, ANYTHING GOES! This class will give you the opportunity to look at CONTEMPORARY artists exhibiting all over the world —NOW. The FOCUS will be SUBJECT MATTER & COMPOSITION in a CONTEMPORARY PAINTING. A WHOLE NEW WORLD of ART will open for you, giving you so many new ideas with which to experiment that it will excite and motivate you to continue. You will have the opportunity to work in a SUPPORTIVE and JOYFUL environment WITH A HIGHLY EXPERIENCED ARTIST/TEACHER to become the artist that you are capable of becoming and have always wanted to be! Group critiques led by the teacher are available to help you look at your work & others’ in a new light. A comprehensive packet prepared for this class will provide helpful information pertaining to the masters we will study, and their contemporaries—such points as the benefits of opaque vs. transparent paint, which whites to use when, suggested mediums for oils and/or acrylics, many of the new gels etc. Demonstrations will include various techniques, such as under painting, glazing, texturing & how to choose your palette. Instruction is highly individualized whether you wish to paint REALISTIC, ABSTRACT or NONOBJECTIVE work. Review of the basic elements and principles of art is always included.
by Rivian Bütikofer
Tuesdays, 1–4 PM
Sept. 21–Oct. 26 (6 weeks)
San Diego/Park Blvd. Studio
$160/180 (includes model on 1 day)
Materials: A materials list will be sent to you after registration. Any questions, please e-mail instructor: 4choux@sbcglobal.net or rivianbutikofer.com.
66. Painting alla Prima: Get Big and Loose! Sorry, this class is full!
Catherine Grawin
The fun just got bigger! Painting alla Prima is an exciting wet-in-wet oil painting technique that is rapid and painterly, with emphasis on big, loose and colorful brushwork. This class is geared to the serious beginner and experienced painters alike. Working with bigger brushes and larger canvases, students revisit classic painting methods while breaking out into big and loose brushwork that is open to individual creativity and interpretation. Bring an open mind and relaxed attitude to transcend some old ideas and habits about representational painting. Choose your own subject matter or opt for class-supplied imagery. Catherine demonstrates key exercises, color mixing and paintings from start to finish while students follow along.
Desert Sunrise by Catherine Grawin
Tuesdays, 6–9 PM
Sept. 21–Nov. 9 (8 weeks)
San Diego/Park Blvd. Studio
$190/215 + $10 mat. fee
Materials: Paint: Colors essential for the class palette. Brands like Windsor & Newton, Gamblin, Utrecht are all good. We use more paint so buy big tubes if you can. Go to Rhino Art store (call in advance) or Dick Blick store or online for the best discount.
Big tubes: Titanium White, Cadmium Red Light, Ultramarine Blue, Cadmium Yellow Pale, Cerulean Blue, Viridian Green, Cadmium Yellow Deep, Alizarin Crimson. Brushes: (Oil/acrylic) natural bristle—hog hair; buy as many and the best you can afford, or bring used brushes in good shape. Flats and filberts, #2, #4, #6, #8, #10, #12, one or two each; rounds, #2, #4, one each. Big Brushes (hardware store brands are okay) 1/2”, 1”, 2 “, 3”, two each. Palette: the bigger the better; paper or wood. Canvas: 11” x 14” up to 24” x 30” or bigger. Odorless Turpenoid or similar: enough for painting and cleaning up; two containers: one for Turpenoid and one for medium—either refined linseed or safflower oil. Charcoal: one box of vines extra-soft. Palette knife: medium and large. Misc.: small drawing pad and sharp graphite pencil for thumbnail sketches/notes; paper towels; handy carrier or backpack. FIRST CLASS: Bring all items on the supply List. For more questions email Catherine at adlib@roadrunner.com.
67. Basic Drawing Sorry, this class has been cancelled.
Neil Shigley
Drawing has many purposes and functions within the contemporary art world. For example, a drawing can be a finished piece of art, or a drawing can be a preliminary step in the creation of paintings, sculptures and other art objects. For many artists, even though they might not exhibit their drawings, the process of drawing is their chief means of creative thinking, personal growth and self-expression. There is an incredible range of drawing approaches or styles that artists from all eras and cultures have used. For example, excellent drawings can be realistic representations of the “seen” world, or abstractions based upon that world. Or realistic images based upon the artist’s fantasy world, or completely non-representational images that are created gradually as the process of making the drawing occurs. The wide range of materials, tools and techniques used by contemporary artists is exciting. Most drawings are made with traditional materials such as charcoal or graphite and paper, but some artists are making beautiful drawings with unusual materials. This course introduces students to this variety of purposes, approaches and materials, but with an emphasis on an observation-based, realistic approach to making images. We will spend most of the class time learning the skills associated with creating two-dimensional images that represent, or “look like,” three-dimensional reality. At times, however, we will explore expressionistic and abstract approaches to drawing. Throughout, you will be learning the general concepts of design and composition, conceptual problem solving as well as various critical approaches commonly used to evaluate art.
by Neil Shigley
Wednesdays, 9 AM–12 NOON
Sept. 22–Nov. 10 (8 weeks)
San Diego/Park Blvd. Studio
$215/240 (includes model on two days)
Materials: Wait to purchase supplies after consulting with me.
Illustration Board—cold-pressed, single; tracing paper; drawing paper, 15” x 20” pad or bigger;
graphite pencil set; sharpener; rubber and kneaded erasers; masking tape; Miskit; paint brushes;
India ink.
68. Watercolor Creations Sorry, this class has been cancelled.
Thia Nevius
Come join us for a continuation of exploring that wonderful wet medium called watercolor. You will enjoy watching demonstrations of those tricky techniques and how they are applied. Painting from reality as well as from photographs will be explored. Not to be missed will be a review of the basics such as composition, color theory, watching those negative spaces, and color attributes of the pigments. Drawing is important if you want to paint realistically, so pointers here will be included.
by Thia Nevius
Wednesdays, 12:30–3:30 PM
Oct. 13–Nov. 17 (6 weeks)
San Diego/Park Blvd. Studio
$160/180
Materials: PAPER: 11” x 14” or 9” x 12” or block, 100 percent cotton, 140lb., rough or cold-pressed, or buy 22” x 30” sheets and cut them up.
COLORS (It is more important to have a warm and cool of each primary than the hues I have listed): Permanent Rose, Scarlet Lake, Yellow Ochre or Raw Sienna, Lemon Yellow or Aureolin, Burnt Sienna, Cerulean Blue or Manganese Blue, Phthalo Blue or Windsor Blue, Sap Green, Ivory Black, White gouache or bleed-proof white—optional.
PROFESSIONAL BRAND QUALITY: Winsor & Newton artist-grade, Holbein, Rembrandt, Grumbacher Finest, LeFranc & Bourgeoise, Rowney, Schmincke.
STUDENT-GRADE QUALITY: Bocour, Winsor & Newton London, Cotman, Liquitex Permanent Pigments. Professional brands are more $, better quality, less filler, go farther.
Student brands are less $, less quality, lots filler, won’t go as far.
BRUSHES: Large round—good quality, #12, or #9 or #10, Robert Simons Flat 1."
Add others as you learn to paint. Sable is the finest, although good quality nylon works well. Buy the best you can afford—it makes painting easier.
OTHER: Palette knife—not stainless steel; 2B drawing pencil; white palette with lid
sponges—elephant ear and synthetic; paper towels or Kleenex or rag; kneaded eraser;
plastic quart-size water container (Foodsaver works well); frisket (for watercolor—not photography); pickup (for frisket); shampoo or mild soap (like motel sample); salt; brush holder —optional; cut-up credit card; gummed tape and board, if you want to learn how to stretch paper.
69. Open Studio
No Instructor
Finish or create your own artworks in our spacious studio once a week in the company of like-minded students before continuing on to Reed Cardwell’s class!
Thursdays, 9:30 AM–12:30 PM
Sept. 16–Oct. 7 (4 weeks)
San Diego/Park Blvd. Studio
$40/60
70. Bas-relief Sculpture Cast in Bronze Sorry, this class has been cancelled.
Mary Buckman
This class will introduce students to a new and exciting bronze clay! Students will sculpt a small, 5” x 7”, clay relief tile from photos or imagination. Students will also learn to make a flexible rubber mold from their clay tile to cast with bronze clay. After drying, the bronze clay relief will be fired in a kiln. The results will produce a fired bronze casting of the relief tile. Students will also learn patina and firing techniques.
Student with clay portrait
Thursdays, 9 AM–12 NOON
Oct. 14–Nov. 4 (4 weeks)
San Diego/Park Blvd. Studio
$130/150 + $145 mat. fee for bronze clay to be paid at registration
Materials: Materials fee includes modeling clay; two packets of two-part rubber mold; two packets bronze clay; plaster and firing; Materials students need to bring to class: 5” x 7” photo for relief subject; one small wood board 9” x 12”; sculpting tools.
71. Painting Abstract
Reed Cardwell
Break away from painting traditional subject matter. Come and explore abstract ideas that challenge and stimulate your creativity! Learn to draw and paint intuitively using elements of design, such as line, shape, form, and color. Bring your own ideas about what to paint—i.e., imagination, photos, sketches. You may paint completely nonobjective abstract work, such as shapes and colors, or use your own ideas and images based on reality. We will have a life model pose for one class meeting. Individual instruction and group critiques will guide you in measuring your progress. The longer format of this class will help students maintain continuity.
Smile by Reed Cardwell
Thursdays, 1–4 PM
Sept. 16–Nov. 18 (10 weeks)
San Diego/Park Blvd. Studio
$240/275 (includes model on one day)
Materials: Bring oil and/or acrylic paints, brushes and painting palette that you already have, or contact the Athenaeum School of the Arts for details. Bring at least two canvases—either stretched or panels—to work on, minimum 14” x 17”, maximum 48” x 60” (4’ x 5’). Bring a water container for acrylics or for holding odorless solvent for oils; one roll paper towels; vine charcoal sticks or chalk pastels; one can spray fixative.
72. Sculpting the Male Figure
Barbara Postelnek
Understand and capture the male anatomy. Observe proportions and the way weight is distributed in order to convey power, masculinity and balance. With all art, it is necessary to learn to “see.” Then the skill in your hands can execute and fulfill your personal concept. Students receive personal attention accommodating experience and goals. Working from a life model is a unique opportunity that benefits both the beginner and the professional.
Adam by Barbara Postelnek
Thursdays, 6–9 PM
Sept. 16–Nov. 18 (9 weeks)
No class on Nov. 4
San Diego/Park Blvd. Studio
$240/275 (includes model)
Materials: Order class materials from Bobi (619)922-6191; www.sculpturehome.com.
73. Still-Life Painting in Oils: Focus on Color Sorry, this class is full!
Pat Kelly
Paint from a beautiful still life inspired by the colors of fall!
All elements of still-life painting will be covered in this class, with an emphasis on color and use of a limited palette. Each week the still life setup is designed to present a specific lesson about color, taught through demonstration and individual instruction. You will begin with small, simple studies and then progress to larger, more complex paintings, providing an excellent opportunity to develop painting skills and study color in depth. As the paintings are completed, students will discuss creative issues and learn through group critique. Pat welcomes students of all levels.
Pomegranate by Pat Kelly
Fridays, 9 AM–1 PM
Sept. 17–Nov. 5 (8 weeks)
San Diego/Park Blvd. Studio
$225/260 + $5 mat. fee
Materials: There will be a $5 materials fee due at the first class meeting.
CANVAS: Four 8” x 10” canvas boards; two 11” x 14” canvas boards; one 16” x 20” canvas. BRUSHES: half-dozen brushes: white bristle flat or filbert, #2, #4, and #6; one medium-size palette knife; small pointed round brush for detail #2–#4. MISC.: paper towels; odorless turpentine; cup for turpentine, jar with lid, Winsor & Newton Liquin; wooden palette.
OIL PAINTS: Alizarin Crimson, Cadmium Red Medium,* Cadmium Yellow Medium,* Cadmium Lemon,* Phthalo Blue, Ultramarine Blue, Permalba White, Cadmium Orange,* Raw Umber. *Be sure to purchase true Cadmium colors not Cadmium Hue.
74. Oil Painting Techniques: Building a Foundation Sorry, this class is full!
Pat Kelly
The core elements of oil painting are presented in this class providing an excellent foundation for beginners and a springboard for more experienced painters to develop a personal style. The session begins with small, quick still-life studies and progresses to complete paintings in the final weeks. Learn about the process of painting as well as a deeper understanding of the painter’s craft. Pat will demonstrate process and technique each week, as well as provide individual instruction. The focus will be on observing and painting with accuracy while building fundamental painting skills.
Still life by Pat Kelly
Saturdays, 9:30 AM–1:30 PM
Sept. 18–Nov. 6 (8 weeks)
San Diego/Park Blvd. Studio
$225/260 + $5 mat. fee
Materials: There will be a $5 materials fee due at the first class meeting.
CANVAS: Four 8” x 10” canvas boards; two 11” x 14” canvas boards; one 16” x 20” canvas. BRUSHES: half-dozen brushes: white bristle flat or filbert, #2, #4, and #6; one medium-size palette knife; small pointed round brush for detail #2–#4. MISC.: paper towels; odorless turpentine; cup for turpentine, jar with lid, Winsor & Newton Liquin; wooden palette.
OIL PAINTS: Alizarin Crimson, Cadmium Red Medium,* Cadmium Yellow Medium,* Cadmium Lemon,* Phthalo Blue, Ultramarine Blue, Permalba White, Cadmium Orange,* Raw Umber. *Be sure to purchase true Cadmium colors not Cadmium Hue.
San Diego/Park Blvd. Workshops
75. Acrylic Painting Workshop: Sticking with It!
Pia Stern
The Athenaeum is pleased once again to welcome guest artist Pia Stern. This intensive four-day workshop is for intermediate and advanced students who are already well-versed in the techniques and materials of painting. Using the Buddhist principle of non-attachment, we will investigate the possibilities of working and reworking the same canvas, creating a new painting each day. This workshop will be an excellent opportunity to explore the balance between “sticking to” and “letting go” while working on a large format. Discussions and individual guidance will aid us in developing and refining our work. We will be able to leave all our supplies in the studio for the duration of the workshop.
by Pia Stern
Wed.–Sat., 10 AM–3 PM (1 hour break)
Dec. 1–4 (4 days)
San Diego/Park Blvd. Studio
$160/180
Materials: Pencil; writing paper or notebook. Gesso; acrylic paint; and all basic painting supplies (palette & palette knives, water containers, a good variety of brush sizes, etc.). Any mixed media you would like (charcoal, pastels, ink, glue, etc.). Smock or painting clothes. Paper towels: Viva or Scott Rags. Digital camera suggested. One primed canvas, at least 3’ x 4’ or 4’ x 4’.
76. Winter Life-Drawing Workshop
Pam Whidden and Van Medcalf
Back by popular demand, this workshop offers one narrative setup for both days with Pam and Van in character.
Pam and Van in character during the Winter '09 workshop
Fri–Sat, 10 AM–3:30 PM (1/2 hour break)
Dec. 17–18 (2 days)
San Diego/Park Blvd. Studio
$75/85; $40/45 per session
Materials: Bring preferred materials.
