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Jazz returns to the Joan & Irwin Jacobs' Music Room of the Athenaeum (at 1008 Wall Street in La Jolla) for the library's annual winter jazz series. The series features rare San Diego appearances by internationally-acclaimed jazz artists. Seating is limited, so early reservations are strongly suggested! For tickets and information, call (858 )454-5872.
The series opens on January 13 with a return visit by the extraordinary Pilc/Moutin/Hoenig trio, featuring Jean-Michel Pilc on piano, Francois Moutin on bass, and Ari Hoenig on drums. Pilc and Hoenig last appeared at the library in January 2009. Pilc has built a stellar reputation in the U.S. since moving from France to New York City in 1995. The Chicago Tribune wrote, “Pilc's keyboard art has no counterpart. He ranks among today's titans of the instrument.” The New York Times commented, “Pilc seems to have dropped from the sky fully formed... He is a physical and densely harmonic player, a splashy stunner." The Washington Post added, “His densely harmonic reinventions of standards you thought you knew clearly show a musical genius at work." Ari Hoenig was similarly celebrated by The New York Times as “an irrepressibly kinetic drummer” with "expansive technique, propulsive time and deep musicality." JazzTimes wrote, “Hoenig has raised the bar with his sheer mastery of melodic drumming.”AllAboutJazz commented “tumultuous, unpredictable, vibrant with variegated rhythms and tempos, shimmering with torrents of sound and spiraling tendrils of color, the Pilc-Moutin-Hoenig Trio's recent performance proceeded like the exploding of a star—the event emitting a creative shock wave of force.”

Pilc/Moutin/Henig Trio
January 20, brings an Athenaeum debut by the acclaimed jazz vocalist Gretchen Parlato, with Taylor Eigsti on piano, Alan Hampton on bass and guitar, and Mark Giuliana on drums. Winner of the 2004 Thelonious Monk International jazz vocal competition, Parlato has drawn ecstatic praise from press and audiences worldwide. AllAboutJazz wrote, “It's safe to say that singer Gretchen Parlato has her admirers. The Boston Globe praised her as "the most original jazz singer in a generation," and pianist Herbie Hancock has described her connection to music as "almost magical." Saxophonist Wayne Shorter has likened her art to that of Frank Sinatra. The growing chorus of admirers is not without good reason; Parlato possesses a voice of ethereal beauty which seduces instantly. Her delivery holds something of the vulnerable intimacy of Billie Holiday and trumpeter Miles Davis. Respectful of tradition, yet equally inspired by her contemporaries, Parlato is expanding the standards repertoire and pushing the expectations of what a jazz vocalist can do.” JazzTimes wrote, “She can sound like morning rain, twilight fog, crashing waves or swirling snowflakes. But tranquil or stormy, dreamy or restive, eider-soft or hard as sleet, Gretchen Parlato remains the freshest and purest of contemporary vocalists.”
Gretchen Parlato
The series continues on February 26 with another Athenaeum debut by the NYC-based Jonathan Kreisberg Quartet, featuring Kreisberg on guitar, Will Vinson on saxophone, Joe Martin on bass, and Mark Ferber on drums. Earlier this fall Kreisberg “wowed” the crowd at the KSDS Ocean Beach Jazz Festival with his stunning and varied performance with Hammond B-3 organ master Dr. Lonnie Smith. In addition to Smith, Kreisberg’s extensive performing and recording credits include work with artists such as Lee Konitz, Joe Locke, Joel Frahm, Greg Tardy, Lenny White, Roy Nathanson, Jane Monheit, and Yosvany Terry. A native New Yorker, Kreisberg studied guitar at the acclaimed University of Miami jazz program. Since returning to New York in 1997, his has established a stellar career as a leader with five acclaimed CD releases, including his latest “The South of Everywhere,” which features longtime bandmates Vinson and Ferber. AllAboutJazz celebrated Kreisberg as “one of New York's undiscovered treasures...armed with ridiculous chops and a singing, straightahead tone.” JazzTimes praised Kreisberg for his “extraordinarily clean articulation, remarkable sax-like fluency, harmonic daring and rhythmically assured burn. “

Jonathan Kreisberg Quartet
The series concludes on February 2 with the return of Trio M, a collective band co-led by pianist Myra Melford, bassist Mark Dresser, and drummer Matt Wilson. Trio M made its world premiere appearance at the Athenaeum in January 2006 and since has gone on to tour major festivals and jazz venues internationally and to record two acclaimed CDs. All three performers are among today’s leading artists on New Music end of the jazz spectrum. Myra Melford recasts the blues and boogie-woogie of her Chicago hometown, folds in elements of the music of Eastern Europe and India, and blends them with percussive avant-garde stylings. JazzTimes praised “the exquisitely deployed harmonies in her playing and arrangements.” Mark Dresser, Professor of Music at UCSD, has performed and recorded with many of the leading artists in contemporary music and jazz. The New York Times called him, “One of the great instrumental forces in recent American jazz outside of the mainstream.” Matt Wilson has pursued a prismatic career as a drummer, composer and bandleader. The New York Times called him “easily one of the best drummers of his generation.” He has appeared with jazz luminaries such as Lee Konitz, Charlie Haden, Bill Mays, Buster Williams, and Denny Zeitlin.
Trio M
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