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17. Painting California Light: Understanding Color, Atmosphere, and Landscape Design

  • Athenaeum Music & Arts Library 1008 Wall Street La Jolla, CA 92037 (map)

Thomas O’Brien

Saturday–Sunday, 10 AM–3 PM
November 21–22
(2 Days, 10 total hours of instruction)
La Jolla Studio
$160/180 + $20 materials fee paid to instructor

Southern California has a distinctive visual character shaped by marine layers, muted coastal vegetation, warm sandstone cliffs, and luminous skies. This two-day workshop explores practical methods for organizing color to create stronger, more convincing landscape paintings.

 

Working from a combination of demonstrations, guided exercises, and painting sessions, students will examine color temperature, atmospheric perspective, value relationships, and palette organization. Emphasis is placed on simplifying complex color relationships, creating harmonious palettes, and using color deliberately to strengthen mood, depth, and visual impact.

 

Students will complete a series of color studies and exercises before applying these concepts to a finished landscape painting. While demonstrations will primarily utilize gouache, the principles presented are equally applicable to watercolor, acrylic, and oil painting.

 

Suitable for adventurous beginners through intermediate painters.

 

Topics Covered

  • Understanding Southern California light and atmosphere

  • Building harmonious landscape palettes

  • Color temperature and value relationships

  • Atmospheric perspective and creating depth

  • Chroma control and natural color mixing

  • Palette organization and efficient color selection

  • Translating observation into expressive landscape paintings

  • Demonstrations, individual instruction, and group critique

 

Materials: Paint (Watercolor, Gouache, Acrylic, or Oil) limited palette: Titanium White, Ultramarine Blue, Cobalt Blue, Cobalt Teal (or Cerulean Blue), Lemon Yellow, Yellow Ochre, Burnt Sienna, Cadmium Orange, Cadmium Red Light, Magenta. Additional colors may be brought if preferred.

Brushes: #10 flat / filbert, #6 flat / filbert, #10 round, ½” or 1” fan brush, rigger or liner brush

Surface: watercolor paper (140 lb. cold press or equivalent painting surface), watercolor board or painting panel/canvas (optional).

Drawing Materials: HB or 2B pencil, kneaded eraser, sketchbook (recommended).

Other: mixing palette, water container or solvent container (appropriate to your medium), paper towels, painter’s tape or clips.

 

Max Students: 15

Learn more about the art instructor.

Read feedback from past students.

Immediately after you register, look for a confirmation email and receipt. In the week preceding the class start date, you will receive another email with more details.

Earlier Event: November 14
72. Handmade Cards
Later Event: December 1
03. Seeing the Light in Still LIfe