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Thursday, April 30, 2026
7:30 PM

With over 800 buildings in the Streamline Moderne style, Miami Beach hosts the highest concentration of Art Deco buildings in the world. Sadly, the style’s origins and uniformity came about as a response to the Great Miami Hurricane of 1926 that left 25,000 people homeless. Comprising seasonal hotels, commercial strips, and small apartments, the quickly rebuilt area epitomized the optimistic futurism extolled at the 1933 Chicago and 1939 New York World Fairs. Originally developed for middle-class seasonal tourists, this internationally famous tropical playground materialized into a cohesive urban resort that was neither centrally planned nor haphazardly built. Its prevailing non-traditional architecture charted a path toward mid-century modern, locally known as MiMo (or Miami Modern).

Monday, May 4, 2026
7:30 PM

Specializing in the rich and varied “sound-world” of the late 17th century, the Artifex Consort (Malachai Komanoff Bandy, Rebecca Landell, and Eva Lymenstull, bass viols; John Lenti, theorbo; Ian Pritchard, keyboards) closes our season with works showcasing the viola da gamba as an ensemble instrument outside of the English consort tradition, during the height of its later flourishing in parts of England and Germany. The program features virtuosic music for two bass viols by Christopher Simpson and Johannes Schenck, alongside lush and ingenious—though little-known—works for three bass viols by Benjamin Hely and Johann Michael Nicolai.

Wednesday, May 20, 2026
7:30 PM

San Diego New Music joins in the celebrations of the 100th birthday of experimental composer Morton Feldman with a performance of his 1985 ensemble work Piano and String Quartet featuring pianist Vicky Ray and the Eclipse Quartet.

Thursday, May 21, 2026
7:30 PM

We begin in Rome, vortex of Catholic Europe and home of Gianlorenzo Bernini, a sculptor-architect who fashioned our dream images of Rome, along with embellishments to St. Peter's Basilica. Bernini work adds to the paradox of the age: he was so pious he attended mass every morning, yet he sculpted one of the most shocking works in all European art.  

Thursdays, May 21 & 28; June 4 & 11, 2026
7:30 PM

The most glorious European art has often been born during times of tragedy and dislocation, reflecting the puzzling paradox between destruction and creativity, brutality and beauty. The 17th century is among the cruelest in European history, brutalized by constant wars, yet it produced majestic art. We shall explore this dynamic era through the lens of its greatest artists, such as Caravaggio and Velazquez. 

Tuesday, May 26, 2026
1 PM

Levi Hammer’s solo piano album Gershwin in Vienna brings together his American roots and his current life in Europe, where he has lived for the last decade. The historical and musical connections between Gershwin, Schoenberg, Berg, and Webern are fascinating but rarely explored beyond a tantalizing footnote. At the Athenaeum, Hammer will play much of the album and speak about the musical parallels between Gershwin and the Viennese modernist masters. Paintings by Gershwin and Schoenberg—both accomplished painters!—will accompany Hammer’s performance of their music. In addition, the composers’ Californian connection will be highlighted in a short film shot on Gershwin’s own tennis court in Los Angeles in the 1930s—right where their legendary tennis matches took place. This program is also an artistic and personal self-portrait of Hammer himself as he describes growing from a child of the Great American Songbook to a conductor and pianist wrestling with the rigorous beauties of the Second Viennese School.

Wednesday, May 27, 2026
7:30 PM

*AT THE ATHENAEUM MUSIC & ARTS LIBRARY*

Wednesday, May 27, brings the return of drummer Peter Erskine, with his new stellar trio featuring longtime artistic partner Alan Pasqua on piano and the celebrated bassist Scott Colley. One of the leading drummers in jazz, Erskine appears on 700 albums and film scores and has won two Grammy Awards and an Honorary Doctorate from Berklee School of Music. Fifty albums have been released under his own name or as co-leader. He has played with Stan Kenton’s and Maynard Ferguson’s big bands, Weather Report, Steps Ahead, Joni Mitchell, Steely Dan, Diana Krall, Kenny Wheeler, Mary Chapin Carpenter, The Brecker Brothers, The Yellowjackets, Pat Metheny and Gary Burton, and John Scofield, among others. He has appeared as a soloist with the London, Los Angeles, Chicago, Oslo, and Berlin Philharmonic Orchestras, the Orchestra of the Royal Opera House, and the BBC Symphony Orchestra. 

Thursday, May 28, 2026
7:30 PM

While Bernini’s genius was realized in marble, Peter Paul Rubens’ artistry with brush and pigment was unmatched. Following an exploration of Rubens’ greatest works, we will turn to the artistic force and tragic life of Caravaggio.

Thursday, June 4, 2026
7:30 PM

The art of Caravaggio, accused murderer, is tough to experience— its psychological realism too gritty, too bloody—yet his impact on subsequent artists, from Rembrandt to Delacroix, is profound.

Thursday, June 11, 2026
7:30 PM

Called one of the premier artists of the Baroque Age, paradoxically Velázquez was not a Baroque painter. He was only artist permitted to paint the king, but his finest, most deeply felt canvases portray the poor and marginalized of society. A Spaniard in the land of the Inquisition, he rarely paints religious subjects. We will analyze his magisterial canvas, Las Meninas, to understand how radical it was.

Sunday, July 5, 2026
4 PM

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Sundays, July 5, 12, 19 & 26, 2026
4 PM

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Sunday, July 12, 2026
4 PM

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Sunday, July 19, 2026
4 PM

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Sunday, July 26, 2026
4 PM

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