Tuesday, June 16: The Antidote by Karen Russell
Tuesday, July 14: Monsters: A Fan’s Dilemma by Claire Dederer
Anna DiMartino
Tuesdays, 4–5:30 PM
June 16, July 14
Joan & Irwin Jacobs Music Room
$10/15 for each session
Are you an avid reader, or would you simply like to read more? Would you like to read more thoughtfully? Are you intellectually curious and longing to be with a group of like-minded folks?
Join us for a lively and thought-provoking discussion on award-winning (or nominated) literature, primarily fiction.
Tuesday, June 16
The Antidote by Karen Russell (2025)
NATIONAL BESTSELLER • FINALIST FOR THE NATIONAL BOOK AWARD • From Pulitzer finalist, MacArthur Fellowship recipient, and bestselling author of Swamplandia! and Vampires in the Lemon Grove Karen Russell: a gripping dust bowl epic about five characters whose fates become entangled after a storm ravages their small Nebraskan town
“Achingly gorgeous. . . . Karen Russell is one of our most humane and generous writers; this book is as profound as it is wonderfully strange.” —Lauren Groff, author of The Vaster Wilds
The Antidote opens on Black Sunday, as a historic dust storm ravages the fictional town of Uz, Nebraska. But Uz is already collapsing—not just under the weight of the Great Depression and the dust bowl drought but beneath its own violent histories. The Antidote follows a “Prairie Witch,” whose body serves as a bank vault for peoples’ memories and secrets; a Polish wheat farmer who learns how quickly a hoarded blessing can become a curse; his orphan niece, a basketball star and witch’s apprentice in furious flight from her grief; a voluble scarecrow; and a New Deal photographer whose time-traveling camera threatens to reveal both the town’s secrets and its fate.
Russell's novel is above all a reckoning with a nation’s forgetting—enacting the settler amnesia and willful omissions passed down from generation to generation, and unearthing not only horrors but shimmering possibilities. The Antidote echoes with urgent warnings for our own climate emergency, challenging readers with a vision of what might have been—and what still could be.
Tuesday, July 14
Monsters: A Fan’s Dilemma by Claire Dederer (2023)
Los Angeles Times Book Prize Winner, 2024 • A NEW YORK TIMES NOTABLE BOOK • NATIONAL BESTSELLER • A timely, passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of cancel culture, and of the link between genius and monstrosity. Can we love the work of controversial classic and contemporary artists but dislike the artist?
”A lively, personal exploration of how one might think about the art of those who do bad things” —Vanity Fair • “[Dederer] breaks new ground, making a complex cultural conversation feel brand new.” —Ada Calhoun, author of Also a Poet
From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, Monsters is “part memoir, part treatise, and all treat” (The New York Times). This unflinching, deeply personal book expands on Claire Dederer’s instantly viral Paris Review essay, “What Do We Do with the Art of Monstrous Men?”
Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss?
Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.
”Monsters leaves us with Dederer’s passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us.” —The Washington Post
A Best Book of the Year: The New York Times, NPR, The Washington Post, The New Yorker, Vulture, Elle, Esquire, Kirkus
Immediately after you register, look for a confirmation email and receipt. In the week preceding the class start date, you will receive another email with more details.